Riley's richly rewarding scholarly study explores the multiple meanings of color in painting, from the bold experiments of Robert and Sonia Delaunay and the Fauves, to Matisse's key influence on Roy Lichtenstein, Frank Stella, David Hockney and Milton Avery to the spiritual use of color in Kandinsky, Gauguin, Van Gogh and the chromatic investigations of Georgia O'Keeffe, Robert Ryman and others. A thirst for an alternative, transcendental order motivated the philosophers Hegel, Oswald Spengler and Jacques Derrida in their theorizing on color, writes Riley, World Art correspondent and professor of English at Baruch College in New York. In architecture, he traces a renascence of color (Michael Graves, James Stirling); in music, he shows how chromaticism evokes the mind's complexity and spiritual yearnings (Wagner, Stockhausen, Schoenberg, Messiaen); in literature, he delves into structural analogies between color and language (Joyce, Proust, Pynchon, Wallace Stevens, A.S. Byatt). The theories of Freud, Jung and Gestalt psychologist Rudolf Arnheim help Riley elucidate the vital role of color in dreams, perception, emotion and memory. Illustrated. Copyright 1995 Reed Business Information, Inc.
From Library Journal
At the outset of this scholarly work, Riley (English, Baruch Coll., CUNY) states: "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to codify it systematically." In six intricate essays, the author discusses uses of color by the foremost contemporary artists, composers, philosophers, authors, architects, and psychologists. Excerpts from the writings of such proponents of modernism as Barthes, Derrida, Kandinsky, Stella, Schoenberg, Messiaen, Le Corbusier, Joyce, Pynchon, and Jung, combined with Riley's impressively wide-ranging knowledge, demonstrate the unique and varied perceptions in the field. Throughout, Riley urges his readers to explore the elusive mysteries and powers of color, though the book requires a degree of familiarity with the cited artists and thinkers. Recommended primarily for academic libraries. Joan Levin, MLS, Chicago Copyright 1995 Reed Business Information, Inc.
From Publishers Weekly
Riley's richly rewarding scholarly study explores the multiple meanings of color in painting, from the bold experiments of Robert and Sonia Delaunay and the Fauves, to Matisse's key influence on Roy Lichtenstein, Frank Stella, David Hockney and Milton Avery to the spiritual use of color in Kandinsky, Gauguin, Van Gogh and the chromatic investigations of Georgia O'Keeffe, Robert Ryman and others. A thirst for an alternative, transcendental order motivated the philosophers Hegel, Oswald Spengler and Jacques Derrida in their theorizing on color, writes Riley, World Art correspondent and professor of English at Baruch College in New York. In architecture, he traces a renascence of color (Michael Graves, James Stirling); in music, he shows how chromaticism evokes the mind's complexity and spiritual yearnings (Wagner, Stockhausen, Schoenberg, Messiaen); in literature, he delves into structural analogies between color and language (Joyce, Proust, Pynchon, Wallace Stevens, A.S. Byatt). The theories of Freud, Jung and Gestalt psychologist Rudolf Arnheim help Riley elucidate the vital role of color in dreams, perception, emotion and memory. Illustrated.
Copyright 1995 Reed Business Information, Inc.
From Library Journal
At the outset of this scholarly work, Riley (English, Baruch Coll., CUNY) states: "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to codify it systematically." In six intricate essays, the author discusses uses of color by the foremost contemporary artists, composers, philosophers, authors, architects, and psychologists. Excerpts from the writings of such proponents of modernism as Barthes, Derrida, Kandinsky, Stella, Schoenberg, Messiaen, Le Corbusier, Joyce, Pynchon, and Jung, combined with Riley's impressively wide-ranging knowledge, demonstrate the unique and varied perceptions in the field. Throughout, Riley urges his readers to explore the elusive mysteries and powers of color, though the book requires a degree of familiarity with the cited artists and thinkers. Recommended primarily for academic libraries.
Joan Levin, MLS, Chicago
Copyright 1995 Reed Business Information, Inc.